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该剧根据2007年获得纽约时报最佳销售奖﹑Jay Asher所著的同名小说改篇，故事讲述一个少年Clay（Dylan Minnette 饰）在某夜收到一个鞋盒，内里装着自杀﹑已故的女同学Hannah（Katherine Langford 饰）的录音带。录音带中有指令，要把录音带从一个学生交到另一位手上，以向12位同学，用13个原因解释他们在她的死亡中，有着甚么身份，以及她为什么要自杀。 Brandon Flynn饰演Justin，饰演一个篮球员，有着星级的实力，但亦有星级的自大﹑Christian Navarro饰演Tony，一个孤独的人，不过他会为正确的事站出来﹑Alisha Boe饰演Jessica，Hannah的朋友，直至一次恶性的吵架而分开。 Justin Prentice饰演放纵风格的Bryce，有着好看的外貌﹑Devin Druid饰演...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。