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本作是变形金刚之领袖的挑战动画的续作，是变形金刚系列动画的最新作品，故事背景讲述的是艾之墓监狱舰在皇冠城附近坠毁，羁押着霸天虎囚犯的休眠舱四散各地。 丹尼和罗素父子俩住在皇冠城外，丹尼爱好收集二手机械物品，拥有一大片“废料场”。大黄蜂带领着一队年轻气盛的汽车人 - 循规蹈矩的学警铁腕、叛逆的横炮、自命不凡的恐龙机器钢锁、颇有喜感的迷你金刚黑面神，以该废料场作为基地，在父子俩的协助下，与逃出的霸天虎囚犯展开较量，将他们纷纷缉拿回舱。 大黄蜂一行人和丹尼父子在一次次作战中逐渐历练成一支训练有素、深度默契的团队，捍卫着地球的和平。整部动画将延续变形金刚系列所特有的风格，充满着动作场面而不失诙谐，为孩子们带来又一场正义的冒险之旅。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。