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黑社会老大阿关事业不错，家庭却一塌糊涂：儿子Sid是个摇滚叛逆青年，一心想继承老爸的事业；女儿Sina是宠物医生，和同事Michael谈恋爱，和老爸的生活格格不入。 Sid因为抢另外一个帮会老大老马的女人Carmen，不得不逃到台湾偏僻的山区避难，和他一起的还有阿关的得力助手阿照。 在台湾，Sid加入了禅鼓山人，改名阿道，认识了鼓队中的女孩红豆，在鼓队朴素的生活中获得了心灵的平静；阿照也在社区学校上课，找到了人生的目标。 在香港，因为Sid的出逃，阿关生意受到了影响，但也因此和女儿Sina和解，接受了她的生活和感情。 同时，禅鼓山人世界巡演开始，第一站就是香港。当Sid和父亲阿关渐渐互相了解，开始冰释前嫌，阿关却在监狱中被暗杀。 Sid简单的生活被打破，社团的生意、和老马的恩怨接踵而至，他如何面对这一切？。这是一部南方黑色惊悚片，故事发生在一个充满暴力动荡不安的密西西比小镇，一个女人和她年幼的女儿卷入了一场威士忌、枪支和复仇交织的混乱中。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。